Resurfacing
Original Title
Topic
Origin
Estimated Budget
Project Initiator
Nurtaqdir Anugrah
Diana Noviana
Project Status
Logline
The relentless dry season has caused the waters of the Jatigede dam to recede, unveiling a haunting sight – the remnants of a village submerged eight years ago for the construction of the dam. This uncanny revelation prompts an elderly couple to embark on a bittersweet expedition that leads them through a labyrinth of memories, stirring emotions long buried beneath the depths of the reservoir. As they navigate the familiar yet alien landscape, they are confronted with the profound impact of time and the power of solace in the unearthed vestiges of their lost homeland.
Director's Statement
Born during a period of rapid development and urban planning in Makassar, South Sulawesi, I became acquainted with eviction events early on. Witnessing conflicts and fistfights near my home as a child, though lacking a clear understanding of what was happening, instilled in me an awareness of these occurrences. My introduction to Jaja and Tuminik, followed by an extended stay during the Jatigede Dam community relocation process, opened my eyes to the lengths people go to safeguard their right to live. They struggle to maintain their homes and livelihoods, often lost in the name of progress and prosperity that they never fully reap.
Through Jaja and Tuminik’s journey back to their submerged hometown, which resurfaced after years, I aim to expose the shortcomings of development and the harsh realities faced by its victims. Their journey reflects the profound connection between people and their homeland, relying on the memories and recollections of an evicted elderly couple navigating a challenging adaptation.
My ability to comprehend Jaja and Tuminik’s emotions and translate them into cinematic form stems from our close bond, cultivated over eight years. This closeness allows for open and honest conversations, enabling me to gain insights into their lives and village conditions despite residing elsewhere. The presence of our film crew posed no disruption to Jaja and Tuminik, accustomed to being in front of the camera. Thus, their on-screen behavior remains authentic and unchanged.